Call For Papers: Fifth International Graphic Novel and Comics conference

 
(with apologies for cross-posting…)
 
Call For Papers
 Fifth International Graphic Novel and Comics conference
 
at The British Library, London
17-19 July 2014
 
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After a series of successful, conferences in Manchester, Bournemouth, Glasgow and Dundee, we are pleased to announce that the Fifth International Graphic Novel and Comics conference (17th-19th July, 2014) will be held at the British Library to coincide with a major exhibition, curated by Paul Gravett, which will utilise the vast collection of comics material held in the library, ‘The conference will concentrate on two main themes: ‘Comics production and institution’ and ‘Comics: Sedition and anarchy’ and is organised jointly by David Huxley & Joan Ormrod (Manchester Metropolitan University), Julia Round (Bournemouth University) and Chris Murray (Dundee University) and the British Library.


Comics: production and institution

Despite many dire predictions about the fate of the comics industry, it continues to prosper and has increasing cultural influence, particularly in the fields of film and the games industry. National boundaries are increasingly less important for example with the spectacular international rise of manga. However, national production and distribution practices have historically been important in the narratives, audiences and cultural capital attached to comics (eg: European comics,
Bande Dessinée compared with American comics).  In academic terms it has never been more important with the two new journals, The Journal of Graphic Novels and Comics (Routledge) and Studies in Comics (Intellect), adding to the burgeoning interest in comics from a huge and varied range of perspectives.
The theme of this conference incorporates comics production as part of but also outside of institution.  Comics are unique in the mass media because the individuals who produce and distribute the products are usually fans: from creators to comics shops owners and comicon organisers.  So we are inviting papers on all aspects of production: from the multinationals and media conglomerations to small scale production such as fanzines and independent presses.  Related aspects of the industry are also of interest, for instance censorship and copyright issues, promotional practices (comicons, comics distribution, historical practices eg: the change in distribution from newsagents to comics shops to collecting and comics promotion). 
This call for papers might include, but is not limited to the following topics:
Advertising and sponsorship
Cultural impact of comics

Comics conventions & conferences
 
Comics agencies and studios

International influences, collaborations

Creators rights, copyright, unionisation
 
Graphic design and graphic novels building narrative

Editing, distribution

Changing position of women in the industry

New technologies, digital vs special printing

Comics shops and distribution

Fans: comic collections, fans as industry producers, small press, alternative production

Historical aspects of the comics industry, eg. distribution, censorship

National and international production

Awards and recognition
Fandom and academia
Comics: Sedition and anarchy
It has long been argued that comics are a medium with the potential for anarchy, whose narratives often push against cultural boundaries and whose graphic nature can render them a target for moral panics and political objections. Although the exhibition will clearly concentrate on the collections of British-published comics held in the library, we welcome contributions in this section which deal with the following (and related) themes across any national culture or period:
Mirth and mayhem: irreverence, magic, children’s comics, the carnivalesque
From slapstick to violence: war comics, humour,
Moral panics: Penny Dreadfuls, underground comix, sex, drugs and psychedelia
Horror comics: violence, terror, archetypes and subversion, the grotesque
Politics; (society, class, etc);
Women’s comics, sexualities, marginalised voices
Breakdowns (mental states, dreams, drugs, etc);
Heroes and anti-heroes (including parodies and deconstructions of icons like Superman etc.).
Media cross-pollination and new digital forms 



We also welcome proposals for specific panel topics.
Send a 300 word abstract to: d.huxley@mmu.ac.uk, j.ormrod@mmu.ac.uk
 
Deadline: 24th January 2014
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About Rik Spanjers

Researcher for the University of Amsterdam into the representation of World War II in comic books and manga. Twitter: @rikspanjers
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